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<channel>
	<title>tongues of the ocean &#187; spoken word</title>
	<atom:link href="http://tonguesoftheocean.org/category/spoken-word/feed/" rel="self" type="application/rss+xml" />
	<link>http://tonguesoftheocean.org</link>
	<description>words and writing from the islands</description>
	<lastBuildDate>Sun, 29 Aug 2010 04:08:53 +0000</lastBuildDate>
	<language>en</language>
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		<title>Sister, Love</title>
		<link>http://tonguesoftheocean.org/2010/06/sister-love/</link>
		<comments>http://tonguesoftheocean.org/2010/06/sister-love/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 04:02:21 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2010 June Issue]]></category>
		<category><![CDATA[special feature]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Xan-Xi Bethel]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=2079</guid>
		<description><![CDATA[We are—
Hispaniola
half-side
of a pot pourri
sweet, spicy flavour
mix-up
fix-up
boil together for
hot pepper-pot

<font color=white>.</font>]]></description>
			<content:encoded><![CDATA[<p>Sisters to the sea<br />
Stones in the ocean<br />
We are—<br />
Hispaniola<br />
half-side<br />
of a pot pourri<br />
sweet, spicy flavour<br />
mix-up<br />
fix-up<br />
boil together for<br />
hot pepper-pot<br />
Beautiful flower<br />
Haiti<br />
Once a pearl<br />
Gem of the<br />
Caribbean<br />
Naked now<br />
only hard rock<br />
to sit on<br />
to shit on<br />
Sisters to the sea<br />
Stones in the ocean<br />
We are—<br />
Haiti<br />
you’ve been<br />
robbed<br />
mauled<br />
butchered<br />
chopped up<br />
chopped down<br />
until the tears of the people<br />
soaked through<br />
the dust<br />
and dampened the<br />
bones of those<br />
black, dark<br />
Africans<br />
that fought for their<br />
Liberation to<br />
Paradise<br />
Sisters to the sea<br />
Stones in the ocean<br />
We are—<br />
Haiti cries<br />
a little more<br />
everyday<br />
as everyday<br />
more babies are<br />
ripped from their<br />
mothers’ wombs<br />
life-cord dangling<br />
political suicide<br />
Know this!<br />
Sister Haiti<br />
has been<br />
scrubbed rotten<br />
rubbed rotten<br />
sucked rotten<br />
and loved<br />
until rotten<br />
Sisters to the sea<br />
Stones in the ocean<br />
We are—<br />
Rocks on the<br />
same water<br />
We are<br />
from the same Africa<br />
Man!<br />
the same Africa land<br />
Shared the same womb<br />
sucked the same<br />
tits—<br />
Tell Me<br />
Why you want to<br />
fight your brother-Man<br />
Deny your mother<br />
Come on Man<br />
Sisters to the sea<br />
Stones in the ocean<br />
We are—<br />
Skin pressed<br />
glistening<br />
black<br />
Our pasts move together<br />
close<br />
like the gentle stroking<br />
the sexing<br />
of two lovers on<br />
the Caribbean sea<br />
Sister, Love<br />
I will deny you<br />
no longer</p>
<p>•••</p>
<address><strong><a href="http://tonguesoftheocean.org/tag/xan-xi-bethel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Xan-Xi Bethel">Xan-Xi Bethel</a></strong> is a visual artist and poet. She has been  painting and writing for the past ten years.  She is currently working on  her first book, a compilation of illustrations and poetry, and is best  known for her spoken word performances.<br />
</address>

	<a href="http://tonguesoftheocean.org/tag/xan-xi-bethel/" title="Xan-Xi Bethel" rel="tag">Xan-Xi Bethel</a><br />
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What You Cryin&#8217; For?</title>
		<link>http://tonguesoftheocean.org/2010/06/what-you-cryin-for/</link>
		<comments>http://tonguesoftheocean.org/2010/06/what-you-cryin-for/#comments</comments>
		<pubDate>Sun, 13 Jun 2010 04:02:01 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2010 June Issue]]></category>
		<category><![CDATA[special feature]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Anku Sa Ra]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/2010/06/2034/</guid>
		<description><![CDATA[•••
<font color=white>.</font>
<font color=white>.</font>



We don’t learn in schools…
We all learn from fools
That live in a box
That cable concocts…




<font color=white>.</font>
<font color=white>.</font>
<font color=white>.</font>]]></description>
			<content:encoded><![CDATA[<p><a href='http://tonguesoftheocean.org/wordpress/wp-content/uploads/2010/06/WHAT-YOU-CRYIN-FOR-Anku.mp3'>WHAT YOU CRYIN FOR &#8211; Anku</a><br />
•••</p>
<p>Crime…<br />
The problem it is not!&#8230;<br />
The Symptom…it is…<br />
Violence…<br />
The tool of the verbally handicapped!&#8230;<br />
The problem it is not!&#8230;<br />
The Symptom…it is…<br />
Poverty…<br />
The rule of the mentally defeated!<br />
The problem it is not!&#8230;<br />
The Symptom…it is…<br />
Blame…<br />
The tool of the ones that rule…<br />
The problem it is not!&#8230;<br />
The Symptom…it is…</p>
<p>We don’t learn in schools…<br />
We all learn from fools<br />
That live in a box<br />
That cable concocts…<br />
Our vision is lied to<br />
(Get Help)<br />
I tried to…<br />
But how do we listen<br />
When we can’t hear the vision?<br />
I try to make my mind<br />
But you hand me my decision…<br />
So why blame the crime<br />
When the crime in us all?<br />
‘Cause We All Criminals, Crime In All, This Is Yall, And It’s Me!<br />
And WE are the symptom<br />
Of years of neglect<br />
No respect<br />
Kept In cheques<br />
That we pay to our bills…<br />
This is what is instilled<br />
From the time of our birth<br />
From the time we reach earth<br />
That is all filled with the Symptoms</p>
<p>The Crime<br />
The Violence<br />
The Poverty<br />
The Blame<br />
There’s more I could name<br />
But they really all the same…<br />
It’s really jus a shame<br />
That the symptoms seem treated…<br />
The problems never cured…<br />
The symptoms now deleted…<br />
The problems all ignored…<br />
So what you cryin for?</p>
<p>•••</p>
<p><em>Originally  featured in “A Sudden &amp; Violent Change”, a cross-disciplinary  exhibition at <a href="http://thehubbahamas.org/">the Hub</a>, March 12th-31st, as part  of Transforming Spaces 2010 in Nassau, The Bahamas.</em></p>
<p>•••</p>
<address>Born Cleveland W. Eneas III, March 9, 1977, and now known as <a title="Posts tagged with Anku Sa Ra" rel="tag" href="http://tonguesoftheocean.org/tag/anku-sa-ra/"><strong>Anku Sa Ra</strong></a>,   this old soul has journeyed through life as an artist in many respects   and uses it, art, to share with the world, all that has been shared  with  him.</address>

	<a href="http://tonguesoftheocean.org/tag/anku-sa-ra/" title="Anku Sa Ra" rel="tag">Anku Sa Ra</a><br />
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Urban War</title>
		<link>http://tonguesoftheocean.org/2010/03/urban-war/</link>
		<comments>http://tonguesoftheocean.org/2010/03/urban-war/#comments</comments>
		<pubDate>Sun, 07 Mar 2010 05:01:24 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2010 February Issue]]></category>
		<category><![CDATA[bredren and sistren]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Randall Baker]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1601</guid>
		<description><![CDATA[<a href="http://tonguesoftheocean.org/audio/urbanwar-rb.mp3">Urban War by Randall Baker</a>

Bumboclaat, whole heap o’ gunshot
Police and soldier come in a jeep back
Everywhere me turn more bullet pop off
Lord have mercy, man, we’re under attack]]></description>
			<content:encoded><![CDATA[<p><a href="http://tonguesoftheocean.org/audio/urbanwar-rb.mp3">Urban War by Randall Baker</a></p>
<p>•••</p>
<p><strong>Urban War</strong></p>
<p>Bumboclaat, whole heap o’ gunshot<br />
Police and soldier come in a jeep back<br />
Everywhere me turn more bullet pop off<br />
Lord have mercy, man, we’re under attack<br />
Get out your car, but you can’t reach car<br />
The road block off, it’s an urban war</p>
<p>Me can’t take me children down at the park<br />
Can’t leave the house anytime after dark<br />
Neighbourhood’s a powder keg just waiting a spark<br />
Rude boys don’t play them don’t skylark<br />
Stay out the water ‘cause it full up of shark<br />
Some of them dog bite worse than them bark<br />
Police and thief them out ‘pon the street<br />
Beg somebody tell me when the violence gwine cease</p>
<p>Bad man selling drugs out them tatu<br />
Them move a night like say them a patu<br />
Draw them gun and no care if them shot you<br />
Caught in the cross fire, don’t matter what you do<br />
Wicked man smell blood and them just can’t resist<br />
No do a damn thing, but you ‘pon him hit list<br />
Lord, is a wonder how we even exist<br />
So, here me bawl once again</p>
<p>Bumboclaat, whole heap o’ gunshot<br />
Police and soldier come in a jeep back<br />
Everywhere me turn more bullet pop off<br />
Lord have mercy, man, we’re under attack</p>
<p><span style="color: white;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</span>Bumboclaat</p>
<p>•••</p>
<address><strong>Randy Baker </strong>lives in Nashville, Tennessee with his wife and daughter. His poetry has most recently appeared in <span style="text-decoration: underline;">tongues of the ocean</span> and <span style="text-decoration: underline;">The Copperfield Review</span>. He maintains a blog at http://digitalcalabash.blogspot.com. </address>

	<a href="http://tonguesoftheocean.org/tag/randall-baker/" title="Randall Baker" rel="tag">Randall Baker</a><br />
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		</item>
		<item>
		<title>Spoken Tone</title>
		<link>http://tonguesoftheocean.org/2010/02/spoken-tone/</link>
		<comments>http://tonguesoftheocean.org/2010/02/spoken-tone/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 05:02:57 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2010 February Issue]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Anku Sa Ra]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1541</guid>
		<description><![CDATA[•••
Born Cleveland W. Eneas III, March 9, 1977, and now known as Anku Sa Ra, this old soul has journeyed through life as an artist in many respects and uses it, art, to share with the world, all that has been shared with him.
<font color=white>.</font>]]></description>
			<content:encoded><![CDATA[
<p>•••</p>
<address>Born Cleveland W. Eneas III, March 9, 1977, and now known as <strong><a href="http://tonguesoftheocean.org/tag/anku-sa-ra/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Anku Sa Ra">Anku Sa Ra</a></strong>, this old soul has journeyed through life as an artist in many respects and uses it, art, to share with the world, all that has been shared with him.</address>

	<a href="http://tonguesoftheocean.org/tag/anku-sa-ra/" title="Anku Sa Ra" rel="tag">Anku Sa Ra</a><br />
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Mood for Mugging</title>
		<link>http://tonguesoftheocean.org/2009/11/mood-for-mugging/</link>
		<comments>http://tonguesoftheocean.org/2009/11/mood-for-mugging/#comments</comments>
		<pubDate>Sun, 29 Nov 2009 04:02:13 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 October Issue]]></category>
		<category><![CDATA[bredren and sistren]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Philip Nanton]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1383</guid>
		<description><![CDATA[<a href="http://tonguesoftheocean.org/audio/mood-for-mugging.mp3">Mood for Mugging</a>
•••
"Mood for Mugging" is taken from Island Voices from St. Christopher &#038; the Barracudas. In the words of its author and producer, "essentially it's a take on island life in a mythical island state in the Caribbean. It takes the form of dramatic monologues, dialogues offered by a range of island characters encouraged to promote their island." ]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://tonguesoftheocean.org/audio/mood-for-mugging.mp3">Mood for Mugging</a></p>
<p style="text-align: center;"><strong>Bracelet</strong><br />
Bootsy ‘n me two blocks east of Nostrand<br />
itching for a smack of white powder sand.<br />
Checked a nigger like a big old grizzly bear<br />
his rags screaming out he ain’t from here<br />
the sack on his back seemed full of corn<br />
didn’t know was a tramp’s old bugle horn.</p>
<p style="text-align: center;"><strong>Shake</strong><br />
When I was born<br />
my father gave to me<br />
an angel-horn<br />
with wings of melody.<br />
That angel placed her lips<br />
upon my finger-tips<br />
and I became, became<br />
her secret name.</p>
<p style="text-align: center;"><strong>Bootsy</strong><br />
Gave Bracelet the nod, he took my drift<br />
we’d corner the guy near seventh and fifth.<br />
That night we were so cool and sharp<br />
either he delivered or he’d play the harp.</p>
<p style="text-align: center;"><strong>Shake</strong><br />
Her name grew strong<br />
spread like a passion tree.<br />
She named the song,<br />
I played the melody.<br />
And in the morning hour<br />
I woke to dream of her,<br />
and all day long, day long<br />
I lived her song</p>
<p style="text-align: center;"><strong> Bracelet</strong><br />
With his metal studs Bootsy smashed his face<br />
I hit his ribs with my special mace<br />
he fell on one knee like he was praying to JC<br />
then that upperty nigger took a swing at me</p>
<p style="text-align: center;"><strong>Shake</strong><br />
In boat and barge<br />
where songs and seas are friends<br />
our dreams grew large<br />
made love where dreaming ends.<br />
And people placed her lips<br />
upon our finger-tips<br />
and friends became, became<br />
our secret name.</p>
<p style="text-align: center;"><strong> Bootsy</strong><br />
Was then I realized was a waste of time<br />
that old cat had neither nickel nor dime.<br />
He probably lost some teeth from the blow<br />
next time the old fellow better know<br />
round here at night you gotta walk with dough.</p>
<p style="text-align: center;"><strong>Bracelet</strong><br />
Me and Bootsy don’t take no shit<br />
we fixed Old Gramps so he’d remember it.<br />
And there’s one thing that I know for sure<br />
that old nigger ain’t playing bugle no more.</p>
<p style="text-align: center;"><strong>Shake</strong><br />
Now light is low<br />
new angels come and go.<br />
The passion tree<br />
spreads dense as destiny.<br />
And this old angel-horn<br />
strives like the lifting dawn!<br />
Love moves to claim, to claim<br />
our secret name.</p>
<p style="text-align: left;">•••</p>
<p style="text-align: left;"><font size=2><em>&#8220;Mood for Mugging&#8221; is taken from </em>Island Voices from St. Christopher &amp; the Barracudas<em>. In the words of its author and producer, &#8220;essentially it&#8217;s a take on island life in a mythical island state in the Caribbean. It takes the form of dramatic monologues, dialogues offered by a range of island characters encouraged to promote their island. The &#8216;voices&#8217; include a coconut water vendor, gardener, taxi driver, radio DJ, bar owner, lawyer, wives of wealthy Caribbean men etc.&#8221; </em></p>
<p style="text-align: left;"><em><strong>Voices</strong>: Simon Alleyne, Garvie Griffith and <a href="http://tonguesoftheocean.org/tag/philip-nanton/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Philip Nanton">Philip Nanton</a><br />
<strong>Trumpet</strong>: Andre Blackett<br />
<strong>Music composed and arranged</strong> by Toby Armstrong<br />
<strong>Arrangement</strong>: Adaptations of <a href="http://tonguesoftheocean.org/tag/philip-nanton/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Philip Nanton">Philip Nanton</a>’s &#8220;Mood for Mugging&#8221; and Shake Keane’s &#8220;Angel Horn&#8221;<br />
(with thanks to Margaret Bynoe for permission to adapt &#8220;Angel Horn&#8221;).<br />
</em></font><br />
•••</p>
<address>Originally from St. Vincent, <strong><a href="http://tonguesoftheocean.org/tag/philip-nanton/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Philip Nanton">Philip Nanton</a></strong> now lives in Barbados where he is a lecturer and freelance writer. Publications include contributions to <span style="text-decoration: underline;">Caribbean Dispatches: Beyond the Tourist Dream</span> (2006) and regular appearances in <span style="text-decoration: underline;">Poui</span>. He also writes and produces BBC radio programmes on Caribbean artists. </address>

	<a href="http://tonguesoftheocean.org/tag/philip-nanton/" title="Philip Nanton" rel="tag">Philip Nanton</a><br />
]]></content:encoded>
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		<title>Cloudy Brain</title>
		<link>http://tonguesoftheocean.org/2009/11/cloudy-brain/</link>
		<comments>http://tonguesoftheocean.org/2009/11/cloudy-brain/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 04:01:28 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 October Issue]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Anku Sa Ra]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1113</guid>
		<description><![CDATA[•••
Born Cleveland W. Eneas III, March 9, 1977, and now known as Anku Sa Ra, this old soul has journeyed through life as an artist in many respects and uses it, art, to share with the world, all that has been shared with him.
<font color=white>.</font>]]></description>
			<content:encoded><![CDATA[
<p>•••</p>
<p align="center"><strong><span style="text-decoration: underline;">Cloudy Brain</span></strong></p>
<p align="center"><em>Now… There’s A <strong>Serious</strong>, Serious,<strong> Serious Problem </strong>In This <strong>Country</strong>…</em></p>
<p align="center"><em>I Mean…It’s <strong>Bigger</strong> Than<strong> Cancer</strong>….It’s Bigger Than <strong>Balancing</strong> The <strong>Budget</strong></em></p>
<p align="center"><em>You Know…Bigger Than <strong>Anything</strong> You Could Think Of Right Now Das <strong>Current</strong>…</em></p>
<p align="center"><em>But I’m <strong>Here</strong> To <strong>Tell </strong>You What The Most Serious Problem In This Country Is Right Now…</em></p>
<p align="center"><strong><em>Cloudy Brain-ISM….</em></strong></p>
<p align="center"><em>That’s Right….</em></p>
<p align="center"><em>It’s Like This….</em></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">Look Everybody….The Sun Is <strong>Ouuuuuuut</strong></p>
<p align="center"><em>“Like….It Was Ever <strong>IN?”</strong></em></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">Ya See…The <strong>Reason</strong> Why We Can’t Let The <strong>Gay</strong> <strong>Cruises</strong> Come Into The Country</p>
<p align="center">Is Because Then…We’ll Have <strong>Gay People</strong> In The <strong>Country?…</strong></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">What You Mean…I Can’t Do <strong>Maths </strong></p>
<p align="center">Because I Don’t <strong>Study?…</strong></p>
<p align="center">Lemme Tell You <strong>Why</strong> I Can’t Do Maths…</p>
<p align="center">The Reason Why I Can’t Do Maths</p>
<p align="center">Is Because….<strong>Numbers Illegal!!</strong></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">So Lemme Get This Right Now…</p>
<p align="center">You Is <strong>Shave Off</strong> Ya Eye Brows…</p>
<p align="center">So You Could Draw…</p>
<p align="center"><strong>EYEBROWS</strong> Back?&#8230;On Ya….</p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">Nah…Of Course <strong>God</strong> Is <strong>Everywhere!&#8230;</strong></p>
<p align="center">If You Don’t <strong>Believe</strong> Me…</p>
<p align="center">I’ll Take You To <strong>Church</strong> And Prove It Right Now….</p>
<p align="center"><em>“So You Mean..He Ain…<strong>Right….Here</strong>?”</em></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">So Lemme Get This Right Now…</p>
<p align="center">You <strong>Like</strong> My <strong>Resume…</strong></p>
<p align="center">Your<strong> Impressed</strong> With My <strong>Degree…</strong></p>
<p align="center">But You <strong>Won’t Hire</strong> Me Because I Don’t Have <strong>Experience?</strong></p>
<p align="center"><em>“And I’m Suppose To Get That <strong>Experience…..Where?”</strong></em></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">So Hold On Now…</p>
<p align="center">You Are <strong>Very Sure</strong> About The Fact That The Polar Caps Are <strong>Melting</strong></p>
<p align="center">But You’re Lil Iffy On Whether Or Not We Have <strong>Global Warming</strong> Or Not?</p>
<p align="center">
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">So…You Wit Da Eye Brows…</p>
<p align="center">Lemme Get Dis Straight Nah…</p>
<p align="center">You Gat Ya <strong>Fake </strong>Eye Brows…</p>
<p align="center">Ya <strong>Fake</strong> Nails…</p>
<p align="center">Ya <strong>Fake</strong> Hair</p>
<p align="center">But You Looking For A <strong>Real Man?</strong></p>
<p align="center"><strong>Cloudy Brain…The Rain Won’t Come</strong></p>
<p align="center">So..My Lawd…You Is A <strong>Vegetarian</strong> hey? What De I Dem Dealin’ Wit…You Don’T Eat No <strong>Meat</strong> And Ting Hey?</p>
<p align="center"><em>“No No No…I Prefer Not To Eat Meat Or Anything Like That”</em></p>
<p align="center">Awe Ok…So Jus <strong>Chicken</strong> &amp; <strong>Fish</strong> Den</p>
<p align="center"><strong>Clooooudy Braaaaaain…..</strong></p>
<p>•••</p>
<address>Born Cleveland W. Eneas III, March 9, 1977, and now known as <strong><a href="http://tonguesoftheocean.org/tag/anku-sa-ra/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Anku Sa Ra">Anku Sa Ra</a></strong>, this old soul has journeyed through life as an artist in many respects and uses it, art, to share with the world, all that has been shared with him.</address>

	<a href="http://tonguesoftheocean.org/tag/anku-sa-ra/" title="Anku Sa Ra" rel="tag">Anku Sa Ra</a><br />
]]></content:encoded>
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		<title>Weather Reports: Grenada</title>
		<link>http://tonguesoftheocean.org/2009/10/weather-reports-grenada/</link>
		<comments>http://tonguesoftheocean.org/2009/10/weather-reports-grenada/#comments</comments>
		<pubDate>Sun, 18 Oct 2009 04:01:24 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 October Issue]]></category>
		<category><![CDATA[bredren and sistren]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Philip Nanton]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1303</guid>
		<description><![CDATA[The ordinary in the extraordinary. Oxymorons collide.
The brain lurches, searches for a peg, a paradigm
to frame Hurucan the angry god, Leviathan the leveler,
tireless Father Time, who keeps tapping. Oh God,
how swift the wind, how fast the journey of prayer?
<font color=white>.</font>]]></description>
			<content:encoded><![CDATA[<p><a href="http://tonguesoftheocean.org/audio/weather-reports-grenada.mp3">Weather Reports &#8211; Grenada</a></p>
<p style="padding-left: 60px;"><span style="font-size: large;"><span style="font-family: Times New Roman;"><span style="font-size: 12pt;">…..<em>like a sheet left out by a forgetful washer woman<br />
a rectangle of blue galvanized roofing, creased in the middle,<br />
momentarily hangs high on the electricity poles’ connecting wire.<br />
Another is kitchen foil wrapping itself around a concrete bollard…<br />
</em><br />
….<em>are we off- air?&#8230; Its like a mad-arse intruder is beating on<br />
my roof…he can’t find the door….. determined to enter<br />
ceiling’s  cracking….    pissing rain down the inside walls… signal’s breaking<br />
up… I’m out of here…<br />
</em></span></span></span></p>
<p style="padding-left: 90px;">The ordinary in the extraordinary. Oxymorons collide.<br />
The brain lurches, searches for a peg, a paradigm<br />
to frame Hurucan the angry god, Leviathan the leveler,<br />
tireless Father Time, who keeps tapping. Oh God,<br />
how swift the wind, how fast the journey of prayer?</p>
<p><em>…September. The sea’s a steely sheet, the sky a shitty smudge…trees left standing are limp, without foliage …… air conditioning units rest on the  roadside …..the  postcard pink beach resembles an airplane crash site, mangled metal protruding from the sand… no black box to explain its descent… meteorologists……coriolis force……moist warm air rises ……makes the whole mass whirl……your reporter…… moist warm air.<br />
</em></p>
<p style="padding-left: 30px;">And when you lift your head, there above you, the hillside,<br />
carpeted with debris, suggests some madness had overtaken<br />
the householders; made them unhinge doors, smash windows,<br />
kick out walls, slam mattresses onto rain sodden ground,<br />
send roofs spinning in the wind and, finally overcome, straight jacketed<br />
by weariness, helplessly watch the erosion of their worlds.</p>
<p><strong> </strong></p>
<p style="padding-left: 240px;"><strong> </strong> <span style="font-family: Times New Roman;"><span style="font-size: 9pt;">&gt;hi, lighten up guys. i’m rosie-leigh, black folk<br />
&gt;dance and sing through all kinds of tragedy<br />
&gt;kept the spirit down those dark days of slavery<br />
&gt;i’m at u c …doing a cultural studies degree<br />
&gt;for this research with my buddy joe<br />
&gt;i really, really want to know<br />
&gt;does anyone have good caribbean song lyrics<br />
&gt;about high winds that blow?<br />
</span></span></p>
<p><em>…</em></p>
<p style="padding-left: 60px;"><span style="font-size: 9pt;">&gt;way to go sis, way to go<br />
&gt;check the clever lines below<br />
&gt;in the consternation<br />
&gt;you can <em>feel</em> the preparation</span></p>
<p style="padding-left: 300px;"><span style="font-size: large;"><span style="font-size: 12pt;"> </span></span><span style="font-size: 9pt;">&gt;bar off de door<br />
&gt;board up de window<br />
&gt;pung in de nail<br />
&gt;doan pung yuh finga<br />
</span><span style="font-size: large;"><span style="font-size: 12pt;"><strong> </strong></span></span></p>
<p><strong> </strong>… gunshots ring out the next morning<br />
broadcast their intended warning…</p>
<p style="padding-left: 180px;">…..fellow citizens of this now sad fair land<br />
the nation grants itself one hundred grand</p>
<p>‘……express our gratitude to our friends around the region and internationally. <span style="font-size: x-small;"><span style="font-size: 8pt;">(If we have a hurricane a week, by Christmas the Caribbean could be united &#8211; English speaking of course.)……..</span></span><span style="font-size: large;"><span style="font-size: 12pt;">We know that in any country one or two people will do foolish things….this is absolutely out of bounds… my government won’t allow a few to behave so selfishly in a time of national tragedy…’</span></span></p>
<p style="padding-left: 180px;">&gt;dear melanie, tom and I can’t leave the house for long,<br />
&gt;a mother who went out to help others…came back to nothing<br />
&gt;they carry machetes</p>
<p>a standpipe in church street<br />
has become our community oasis</p>
<p style="padding-left: 210px;">each day i fill four buckets</p>
<p style="padding-left: 30px;">yesterday I shared<br />
a coconut from a fallen tree<br />
a bottle of drinking water<br />
donated to my son and me</p>
<p style="padding-left: 150px;">once again, small kindnesses are valued. <!--EndFragment--></p>
<p><span style="color: white;">.</span><br />
•••</p>
<p>&#8220;Weather Reports: Grenada&#8221; is taken from <em>Island Voices from St. Christopher &amp; the Barracudas<em>. </em></em><span style="font-size: medium;"><span style="font-family: Calibri,Verdana,Helvetica,Arial;"><span style="font-size: 11pt;">In the words of its author and producer, &#8220;essentially it&#8217;s a take on island life in a mythical island state in the Caribbean. It takes the form of dramatic monologues, dialogues offered by a range of island characters encouraged to promote their island. The &#8216;voices&#8217; include a coconut water vendor, gardener, taxi driver, radio DJ, bar owner, lawyer, wives of wealthy Caribbean men etc.&#8221; </span></span></span></p>
<p><!--EndFragment-->•••</p>
<address>Originally from St. Vincent, <strong><a href="http://tonguesoftheocean.org/tag/philip-nanton/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Philip Nanton">Philip Nanton</a></strong> now lives in Barbados where he is a lecturer and freelance writer. Publications include contributions to <span style="text-decoration: underline;">Caribbean Dispatches: Beyond the Tourist Dream</span> (2006) and regular appearances in <span style="text-decoration: underline;">Poui</span>. He also writes and produces BBC radio programmes on Caribbean artists. </address>

	<a href="http://tonguesoftheocean.org/tag/philip-nanton/" title="Philip Nanton" rel="tag">Philip Nanton</a><br />
]]></content:encoded>
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		<title>And Tomorrow&#8217;s Another Day</title>
		<link>http://tonguesoftheocean.org/2009/07/and-tomorrows-another-day/</link>
		<comments>http://tonguesoftheocean.org/2009/07/and-tomorrows-another-day/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 04:02:55 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 June Issue]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Ishmael Andrew Smith]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1076</guid>
		<description><![CDATA[Yesterday
The sounds of
Whips and chains
Times
Of privation and poverty
Mortality
And periods of despair]]></description>
			<content:encoded><![CDATA[<p><a href="http://tonguesoftheocean.org/audio/another-day-ias.mp3">And Tomorrow&#8217;s Another Day</a></p>
<p>•••</p>
<p>Yesterday<br />
The sounds of<br />
Whips and chains<br />
Times<br />
Of privation and poverty<br />
Mortality<br />
And periods of despair<br />
Despairingly wide chasms<br />
Of equality<br />
Different rules of eligibility<br />
In a world built<br />
Largely on the tracks of<br />
The tears in my skin and<br />
Of my soul</p>
<p>Last night<br />
The sounds of<br />
Whips and chains<br />
Times<br />
Of hardship and poverty<br />
Death<br />
And periods of despair<br />
Despairingly wide chasms<br />
Of equality<br />
Different rules of eligibility<br />
In a world built<br />
Largely on<br />
The unreality of free<br />
In freedom<br />
Illusions of independence<br />
And the sweat<br />
Tumbles free<br />
Down<br />
My worn body</p>
<p>Today<br />
Still The sounds of<br />
Whips and chains<br />
Times<br />
Of hardship and poverty<br />
Death<br />
And periods of despair<br />
Despairingly wide chasms<br />
Of equality<br />
Differing rules of eligibility<br />
In a world built<br />
Largely on<br />
The arrogance and dismissal<br />
Of political complacence<br />
Dilutions of competence<br />
And the sweat<br />
Tumbles trussed-up<br />
Down<br />
My worn body</p>
<p>Tonight I expect<br />
The sounds of<br />
Whips and chains<br />
Times<br />
Of hardship and poverty<br />
Death<br />
And periods of despair<br />
Despairingly wide chasms<br />
Of equality<br />
Different rules of eligibility<br />
In a world built<br />
Largely on<br />
The dementia and aimless<br />
Wanderings of a time lost society<br />
And the sweat<br />
It stops<br />
My body worn<br />
Down</p>
<p>Tomorrow<br />
Is another<br />
Day<br />
What will I anticipate?</p>
<p>A return<br />
To the epochs<br />
Of my past<br />
Or<br />
Will we face<br />
A different fate?</p>
<p>•••</p>
<p><em>Lyrics submitted under the title &#8220;And tomorrow is another day&#8221;. Performance run on top of Ruff Kutz Kut “Don’t put nothin’ on it&#8221;</em></p>
<p>•••</p>
<address><strong><a title="Posts tagged with Ishmael Andrew Smith" rel="tag" href="../../tag/ishmael-andrew-smith/">Ishmael Andrew Smith</a></strong> is a member of Ruff Kutz, a performance collective whose goal is to bring audible life to lettered work. Ishmael is an educator with the Bahamas’ Department of Education. His ambition: to become a Professor of Applied Anthropology at The University of the Bahamas.</address>

	<a href="http://tonguesoftheocean.org/tag/ishmael-andrew-smith/" title="Ishmael Andrew Smith" rel="tag">Ishmael Andrew Smith</a><br />
]]></content:encoded>
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		<title>Playtime with Nursery Rhyme</title>
		<link>http://tonguesoftheocean.org/2009/07/playtime-with-nursery-rhyme/</link>
		<comments>http://tonguesoftheocean.org/2009/07/playtime-with-nursery-rhyme/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 04:01:36 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 June Issue]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Rolinda Pierre]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=1082</guid>
		<description><![CDATA[•••
<font color=white>.</font>
Video courtesy of Express Yourself.
<font color=white>.</font>
•••
Rolinda Pierre has been writing and performing poetry since childhood, and is an active member of the Express Yourself collective in Nassau, Bahamas. Her poems have been featured in the poetry column in the Nassau Guardian. She is currently developing a collection of poems and a poetry CD.]]></description>
			<content:encoded><![CDATA[
<p>•••</p>
<p>Video courtesy of <a href="http://tonguesoftheocean.org/about/express-yourself/">Express Yourself</a>.</p>
<p>•••</p>
<address><strong><a href="http://tonguesoftheocean.org/tag/rolinda-pierre/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Rolinda Pierre">Rolinda Pierre</a></strong> has been writing and performing poetry since childhood, and is an active member of the Express Yourself collective in Nassau, Bahamas. Her poems have been featured in the poetry column in the Nassau Guardian. She is currently developing a collection of poems and a poetry CD.</address>

	<a href="http://tonguesoftheocean.org/tag/rolinda-pierre/" title="Rolinda Pierre" rel="tag">Rolinda Pierre</a><br />
]]></content:encoded>
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		<title>Community Callin&#8217;</title>
		<link>http://tonguesoftheocean.org/2009/06/community-callin/</link>
		<comments>http://tonguesoftheocean.org/2009/06/community-callin/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 04:02:14 +0000</pubDate>
		<dc:creator>webmaster</dc:creator>
				<category><![CDATA[2009 June Issue]]></category>
		<category><![CDATA[spoken word]]></category>
		<category><![CDATA[Ishmael Andrew Smith]]></category>

		<guid isPermaLink="false">http://tonguesoftheocean.org/?p=907</guid>
		<description><![CDATA[<a href="http://tonguesoftheocean.org/audio/community-callin-ias.mp3">Community Callin'</a>

•••


What the drum say Mama
What it say
It say we mus' dance chirren
It say we mus' dance
]]></description>
			<content:encoded><![CDATA[<p><a href="http://tonguesoftheocean.org/audio/community-callin-ias.mp3">Community Callin&#8217;</a></p>
<p>•••</p>
<p>Der drum&#8217;se a talkin&#8217; to we<br />
Der drum&#8217;se a talkin&#8217; to we<br />
Come chirren gadder roun&#8217;<br />
The drum&#8217;se a talkin&#8217;<br />
The drum a talkin&#8217; ta all a we</p>
<p>What the drum say Mama<br />
What it say<br />
It say we mus&#8217; dance chirren<br />
It say we mus&#8217; dance</p>
<p>Why we a dancin&#8217; Mudda<br />
Why we a dancin&#8217;<br />
I don&#8217; know no more chirren<br />
I don&#8217; know<br />
All I&#8217;se know is we must dance<br />
&#8217;cause der drum she a talkin&#8217;</p>
<p>Who name is dat der drum callin&#8217; mudda<br />
Who name is dat der drum callin&#8217;<br />
Is yo name der drum is callin chile<br />
Is yo name der drum callin&#8217;</p>
<p>Why der drum callin&#8217; me by anudder name Mudda<br />
Why der drum callin&#8217; me by anudder name<br />
Is callin&#8217; you by da only name it know chile<br />
Is callin&#8217; you by da only name it know</p>
<p>Why it callin&#8217; Mama<br />
Why it callin&#8217;<br />
It lonely chile<br />
It lonely and tired<br />
&#8216;pears it bin callin&#8217; a long time<br />
an&#8217; we aine never hear<br />
&#8216;pears we bin too far away too long<br />
bin too far away too long</p>
<p>Where we bin mama<br />
Where we bin</p>
<p>Lost chile<br />
We bin lost</p>
<p>Now chile what you hear<br />
What it callin&#8217;<br />
Wh&#8217;as der name it sayin&#8217;<br />
Soun&#8217; like melination mama<br />
Soun&#8217; like it callin we<br />
a mis-alligned-nation</p>
<p>Wha&#8217;s a mis-aligned-nation mama<br />
Wha&#8217;s a mis-aligned-nation<br />
Us chile<br />
Us<br />
We be the mis-aligned nation<br />
Of melinated people<br />
Who hidin out in de sapodilla garden</p>
<p>Der drum’se a callin&#8217; chile<br />
Der drum’se a callin&#8217; chile</p>
<p>Why it callin’ ter me Mama<br />
Why it callin’ ter me</p>
<p>Is a callin&#8217; ter all a we<br />
Callin’ fer we to acknowledge home<br />
Live home<br />
Be home<br />
Be free</p>
<p>Ee-yah free I tell yer</p>
<p>•••</p>
<p><em>Lyrics submitted under the title &#8220;The Calling &#8211; Community&#8221;</em></p>
<p>•••</p>
<address> <strong><a class="st_tag internal_tag" title="Posts tagged with Ishmael Andrew Smith" rel="tag" href="http://tonguesoftheocean.org/tag/ishmael-andrew-smith/">Ishmael Andrew Smith</a></strong> is a member of Ruff Kutz, a performance collective whose goal is to bring audible life to lettered work.  Ishmael is an educator with the Bahamas’ Department of Education.  His ambition: to become a Professor of Applied Anthropology at The University of the Bahamas.</address>

	<a href="http://tonguesoftheocean.org/tag/ishmael-andrew-smith/" title="Ishmael Andrew Smith" rel="tag">Ishmael Andrew Smith</a><br />
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